Bethel Bethel Crèche
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Teaching Resources

Songs & Stories

45 songs and rhymes in siSwati, Xitsonga, isiZulu and English, and 17 oral stories with full telling scripts. All traditional or written for Bethel — nothing copyrighted.
Story time begins with the call — teach this on day one
isiZulu / siSwati opening
Storyteller: 'Kwasukasukela!' - Children answer: 'Cosu!' (siSwati tellers may say 'Kwesukesukela!' - 'Cosi!'). Use before every isiZulu/siSwati tale.
Closing
Storyteller: 'Cosu cosu, iyaphela!' (Little by little, it is finished!) - children may clap once.
Xitsonga opening
Storyteller: 'Garingani wa Garingani!' (I am the Narrator, child of the Narrator!) - Children answer: 'Garingani!' They may cheer 'Garingani!' again whenever the teller pauses.
How to use it
Teach the children their response word on day one. The call-and-response wakes up listening, marks story time as special, and connects children to how their gogos and kokwanas have always told stories.
Following Nal'ibali/PRAESA practice, tell stories and sing first in the child's home language (siSwati or Xitsonga at Bethel), add isiZulu naturally, and layer English on top. Children who fall in love with stories in their own language learn to read in any language faster.
Songs & rhymes
🎵 Sanibonani, Sanibonani
isiZulu Greeting & ring
1-2 2-3 3-4 4-5 5-6
Sanibonani, sanibonani, Ninjani? Ninjani? Siyaphila sonke, siyaphila sonke, Siyabonga, siyabonga.
Hello everyone, how are you? We are all well, thank you.
Actions & what it builds ↓
Do: Wave both hands on the greeting lines; open palms upward on 'Ninjani?'; hands on chest for 'siyaphila'; soft claps on 'siyabonga'.
Builds: Morning ritual and belonging; isiZulu greeting vocabulary; question-and-answer turn-taking; pitch and melody.
⚠ Original words set to the public-domain tune of Frere Jacques. siSwati group can sing 'Sanibonani' identically; both languages share the greeting.
🎵 Avuxeni, Vana!
Xitsonga Greeting & ring
2-3 3-4 4-5 5-6
Teacher: Avuxeni, vana! Children: Ahee! Teacher: Mi pfukile? Children: Hi pfukile! All (clapping): Avuxeni, avuxeni, Hi ta dyondza, hi ta tlanga!
Good morning, children! - Yes! Did you wake well? - We woke well! Good morning - we will learn, we will play!
Actions & what it builds ↓
Do: Call-and-response: children shout the answers, then everyone claps a steady beat on the last two lines.
Builds: Xitsonga greeting ritual (avuxeni/ahee exchange); call-and-response listening; steady beat.
⚠ Original chant built on the standard Xitsonga morning greeting exchange. Orthography to be checked by a Xitsonga speaker.
🎵 Sawubona, Mngani Wami
isiZulu Greeting & ring
2-3 3-4 4-5 5-6
Sawubona, mngani wami, Sawubona, wena! Nginike isandla sakho, Sijikeleze - heya!
Hello my friend, hello you! Give me your hand, let us turn around - hey!
Actions & what it builds ↓
Do: Children stand in pairs, shake hands, then hold both hands and turn in a small circle. Swap partners and repeat so every child greets several friends.
Builds: Peer greeting and eye contact; learning friends' names; cooperative turning; social confidence.
⚠ Original. Works in siSwati almost unchanged (Sawubona, mngani wami). Grammar to be checked by a native speaker.
🎵 Good Morning, Good Morning
English Greeting & ring
1-2 2-3 3-4 4-5 5-6
Good morning, good morning, How are you? How are you? We are here together, we are here together, At our school, at our school.
Actions & what it builds ↓
Do: Wave on the first line, point to a friend on 'how are you', join hands in a ring on 'together'.
Builds: English greeting phrases; sense of group; melody.
⚠ Original words to the public-domain tune of Frere Jacques - same tune as s1, so children map isiZulu and English greetings onto one melody.
🎵 Woza, Sondela (Circle Song)
isiZulu Greeting & ring
2-3 3-4 4-5 5-6
Woza, woza, sondela, Senza indilinga. Bamba isandla somngani, Indilinga enkulu!
Come, come closer, we make a circle. Hold your friend's hand - a big circle!
Actions & what it builds ↓
Do: Sing while children walk in and join hands until the ring is complete, then sway side to side. Use it to gather the group for ring time.
Builds: Following a routine cue; spatial concept of a circle; cooperation; gentle transition into ring time.
⚠ Original gathering song. Check 'senza indilinga' phrasing with a native speaker; siSwati groups can sing 'sente indingilizi'.
🎵 Ring a Ring o' Roses
English Greeting & ring
1-2 2-3 3-4 4-5
Ring-a-ring o' roses, A pocket full of posies, A-tishoo! A-tishoo! We all fall down.
Actions & what it builds ↓
Do: Hold hands and walk around in a circle; pretend to sneeze; everyone flops gently to the ground on the last line.
Builds: Group play; anticipation and self-regulation; balance and safe falling; rhyme.
⚠ Traditional English ring game, public domain. Children love the controlled 'fall down'.
🎵 Kunye, Kubili, Kutsatfu
siSwati Counting
2-3 3-4 4-5 5-6
Kunye, kubili, kutsatfu, kune, kuhlanu! (shaya tandla - clap, clap, clap!) Kuhlanu, kune, kutsatfu, kubili, kunye! (fihla tandla - hide your hands!)
One, two, three, four, five - clap your hands! Five, four, three, two, one - hide your hands!
Actions & what it builds ↓
Do: Hold up one finger per number counting up, clap three times, then fold fingers down counting back and whip hands behind the back.
Builds: siSwati number names 1-5; counting forward and backward; one-to-one finger correspondence; fine motor.
⚠ Original chant using standard siSwati numbers. Orthography ('kutsatfu', 'tandla') to be confirmed by a siSwati speaker.
🎵 N'we, Mbirhi, Nharhu
Xitsonga Counting
2-3 3-4 4-5 5-6
N'we, mbirhi, nharhu, mune, ntlhanu! (clap, clap!) Ntlhanu, mune, nharhu, mbirhi, n'we! (stamp, stamp!) Hi hlayile!
One, two, three, four, five (clap!) - five, four, three, two, one (stamp!) - we have counted!
Actions & what it builds ↓
Do: Fingers up one at a time counting up, two claps; fingers down counting back, two stamps; arms up in the air on 'Hi hlayile!'.
Builds: Xitsonga number names 1-5; forward and backward counting; coordinating speech with movement.
⚠ Original chant using standard Xitsonga numbers. Orthography to be checked by a Xitsonga speaker.
🎵 One, Two, Buckle My Shoe
English Counting
2-3 3-4 4-5 5-6
One, two, buckle my shoe; Three, four, knock at the door; Five, six, pick up sticks; Seven, eight, lay them straight; Nine, ten, a big fat hen.
Actions & what it builds ↓
Do: Mime each pair: touch shoes, knock in the air, pick up real twigs from the yard, lay them in a row, flap wings like a hen.
Builds: Number sequence to ten; rhyme and rhythm; miming; can be made concrete with real sticks and stones.
⚠ Traditional English counting rhyme, public domain. Collect real sticks outside for 'pick up sticks' - free maths apparatus.
🎵 One, Two, Three, Four, Five (Fish Alive)
English Counting
3-4 4-5 5-6
One, two, three, four, five, Once I caught a fish alive. Six, seven, eight, nine, ten, Then I let it go again. Why did you let it go? Because it bit my finger so. Which finger did it bite? This little finger on my right.
Actions & what it builds ↓
Do: Count on fingers; mime catching a wriggling fish and letting it go; shake the 'bitten' little finger at the end.
Builds: Counting to ten; question-and-answer language; left/right awareness; fine motor.
⚠ Traditional English nursery rhyme, public domain.
🎵 Five Little Ducks
English Counting
2-3 3-4 4-5 5-6
Five little ducks went swimming one day, Over the hills and far away. Mother duck said 'Quack, quack, quack, quack!' But only four little ducks came back. (Repeat with four, three, two, one...) Sad mother duck went out one day... And all of her five little ducks came back!
Actions & what it builds ↓
Do: Five children are ducklings who waddle away behind a chair; one hides each verse. On the last verse all come running back for a hug.
Builds: Taking away one (early subtraction); counting back from five; dramatic play; emotional resolution.
⚠ Traditional counting song, public domain. Swap 'ducks' for 'chickens' (amachwane) for local flavour.
🎵 Diketo Stone-Counting Chant
mixed Counting
3-4 4-5 5-6
(While playing diketo/upuca with 5 stones and a small hole or bowl:) Kunye! Kubili! Kutsatfu! Kune! Kuhlanu! (or in Xitsonga:) N'we! Mbirhi! Nharhu! Mune! Ntlhanu!
One! Two! Three! Four! Five! - counted as each stone is scooped.
Actions & what it builds ↓
Do: Grade R version of the traditional stone game: toss one stone up, scoop stones from the circle with the same hand, catch the tossed stone. Younger children simply drop stones into a tin one by one while the group chants the count.
Builds: Counting with meaning (one number per stone); hand-eye coordination; concentration; turn-taking; heritage play.
⚠ Diketo (also upuca, magave) is a recognised South African indigenous game. Counting chants vary village to village - invite local gogos to teach the version they grew up with.
🎵 Round and Round the Garden
English Fingerplay
0-1 1-2 2-3
Round and round the garden, Like a teddy bear; One step, two step, Tickle you under there! (Local variant:) Round and round the mealie patch, Like a little mouse; One step, two step, Into your little house!
Actions & what it builds ↓
Do: Trace a circle on the baby's palm, walk two fingers up the arm, tickle under the arm or chin. Babies soon lift their hand to ask for it.
Builds: Bonding and touch; anticipation; body awareness; first turn-taking for babies.
⚠ First verse is the traditional English rhyme (public domain); the mealie-patch variant is our original localisation.
🎵 This Little Goat
mixed Fingerplay
0-1 1-2 2-3
This little goat went to market, This little goat stayed ekhaya, This little goat ate green mielies, This little goat had none, And this little goat cried 'Me-e-e, me-e-e, me-e-e!' All the way home.
'Ekhaya' = at home.
Actions & what it builds ↓
Do: Wiggle one toe or finger per goat, starting with the big toe; on the last line run fingers up the child's leg or arm while bleating.
Builds: Body awareness (toes/fingers); anticipation; animal sounds; one-to-one correspondence.
⚠ Local adaptation of the traditional 'This Little Piggy' (public domain); goats are what Bethel children actually see on the way to school.
🎵 Incy Wincy Spider
English Fingerplay
1-2 2-3 3-4 4-5
Incy Wincy Spider climbed up the water spout; Down came the rain and washed poor Incy out; Out came the sunshine and dried up all the rain; And Incy Wincy Spider climbed up the spout again.
Actions & what it builds ↓
Do: Fingers climb over each other for the spider; wiggle fingers downward for rain; big circle arms for the sun; climb again.
Builds: Fine motor finger coordination; weather words; resilience story in miniature; sequencing.
⚠ Traditional English fingerplay, public domain. Pairs well with the Imvula rain song (s43) on rainy days.
🎵 Two Little Sunbirds
mixed Fingerplay
1-2 2-3 3-4
Two little sunbirds sitting on the wall, One named Themba, one named Sana. Fly away, Themba! Fly away, Sana! Come back, Themba! Come back, Sana!
Themba = 'hope/trust'; Sana = 'little one'.
Actions & what it builds ↓
Do: One finger on each shoulder for the birds; whirl each hand behind the back on 'fly away'; bring them back to the shoulders on 'come back'.
Builds: Object permanence for little ones; name substitution (use children's own names!); fine motor isolation of index fingers.
⚠ Adaptation of the traditional 'Two Little Dickie Birds' (public domain), using local names and the sunbirds children see in aloes.
🎵 Izimbila Ezinhlanu (Five Little Dassies)
isiZulu Fingerplay
2-3 3-4 4-5
Izimbila ezinhlanu emadwaleni. Yinye iyabaleka - sala kahle! (Count down: ezine... ezintathu... ezimbili... yinye...) Azikho izimbila emadwaleni - Zilele zonke emngedzeni. Shhh!
Five dassies (rock hyraxes) on the rocks. One runs away - goodbye! ... No more dassies on the rocks - they are all asleep in the crack. Shhh!
Actions & what it builds ↓
Do: Five fingers stand on the other forearm ('rocks'); tuck one finger away each verse; end with both hands folded and a whisper.
Builds: Counting back from five in isiZulu; subtraction idea; quiet ending makes it a good calm-down; local animal knowledge.
⚠ Original fingerplay. isiZulu plural/number agreement and 'emngedzeni' (in the crack/burrow) must be checked by a native speaker - use a simplified count if needed.
🎵 Tintiho ta Mina (My Fingers)
Xitsonga Fingerplay
1-2 2-3 3-4
Tintiho ta mina, tintiho ta mina, Ta cina, ta cina! Ta ya ehenhla, ta ya ehansi, Ta tumbela - swi herile!
My fingers, my fingers, they dance, they dance! They go up, they go down, they hide - finished!
Actions & what it builds ↓
Do: Wiggle all ten fingers ('dancing'), stretch them high, drop them low, then hide hands behind the back on the last line.
Builds: Xitsonga body/position words (up, down, hide); finger control; following sung instructions.
⚠ Original fingerplay. Xitsonga orthography ('ta cina', 'tumbela', 'swi herile') to be checked by a native speaker.
🎵 Shosholoza
isiZulu Movement
2-3 3-4 4-5 5-6
Shosholoza, shosholoza, Kulezo ntaba, Stimela siphume South Africa. Wen' uyabaleka, wen' uyabaleka, Kulezo ntaba, Stimela siphume South Africa.
Push forward, push forward, through those mountains - the train comes from South Africa. You are running away, through those mountains...
Actions & what it builds ↓
Do: Children make a train, hands on the shoulders of the child in front, arms circling like wheels, chugging around the yard faster and slower with the singing.
Builds: Gross motor locomotion; group coordination; steady beat; South African heritage song every child will hear again at school.
⚠ Traditional Ndebele/Zulu migrant workers' song, public domain folk song. Sing call-and-response: teacher leads, children answer.
🎵 If You're Happy and You Know It / Uma Ujabula
mixed Movement
1-2 2-3 3-4 4-5 5-6
If you're happy and you know it, clap your hands! (clap, clap) If you're happy and you know it, clap your hands! (clap, clap) If you're happy and you know it, then your face will surely show it, If you're happy and you know it, clap your hands! (clap, clap) Uma ujabula uyazi, shay' izandla! (clap, clap) Uma ujabula uyazi, gxuma phezulu! (jump, jump) Uma ujabula uyazi, memeza 'Yebo!' (Yebo!)
isiZulu verses: If you are happy and you know it - clap your hands / jump up / shout 'Yes!'
Actions & what it builds ↓
Do: Clap, stamp, jump, shout as each verse instructs; let children invent new actions (wiggle, turn around, roar like a lion).
Builds: Following instructions; naming feelings; action vocabulary in two languages; joyful energy release.
⚠ Widely regarded as a traditional folk song; the isiZulu verses are our own translation. Check 'gxuma phezulu' with a native speaker.
🎵 The Grand Old Duke of York
English Movement
2-3 3-4 4-5 5-6
Oh, the grand old Duke of York, He had ten thousand men; He marched them up to the top of the hill, And he marched them down again. And when they were up, they were up, And when they were down, they were down, And when they were only half-way up, They were neither up nor down.
Actions & what it builds ↓
Do: March on the spot; stretch tall for 'up', crouch small for 'down', freeze in a half-squat for 'half-way up' - the freeze gets the giggles.
Builds: Marching to a beat; position concepts up/down/half-way; body control and freezing; counting talk (ten thousand!).
⚠ Traditional English marching song, public domain.
🎵 Ndlopfu! Mpfundla! (Animal Moves)
Xitsonga Movement
2-3 3-4 4-5 5-6
Ndlopfu! - dzu, dzu, dzu! (stomp slowly) Mpfundla! - tlula, tlula, tlula! (hop, hop!) Nyoka! - ssss, ssss, ssss (slither) Nghala! - hooo! (roar and freeze!)
Elephant - stomp! Hare - jump! Snake - slither! Lion - roar!
Actions & what it builds ↓
Do: Children move like each animal as its Xitsonga name is called: heavy elephant stomps, light hare hops, wavy snake arms low to the ground, lion roar then freeze in a proud pose.
Builds: Xitsonga animal names; contrasting movement qualities (heavy/light, fast/slow); listening and switching; imagination.
⚠ Original movement chant using Kruger-park animals the children know. Xitsonga spellings to be confirmed; 'tlula' = jump.
🎵 Sukuma! Hlala! (Action Chant)
isiZulu Movement
2-3 3-4 4-5 5-6
Sukuma! (stand up) Hlala! (sit down) Gxuma! (jump) Yima! (freeze) Gijima endaweni! (run on the spot) Thula... hlala phansi. (quiet... sit down)
Stand! Sit! Jump! Freeze! Run on the spot! Quiet... sit down.
Actions & what it builds ↓
Do: Children do each action on the isiZulu command. Speed up, slow down, whisper the last two lines so the game ends calm and seated.
Builds: Listening comprehension in isiZulu; inhibitory control (freeze!); vestibular input; ends with self-calming - perfect wiggle-break.
⚠ Original action game in the style of traditional command games. Works in siSwati with the same words for most commands.
🎵 Walking, Walking
English Movement
1-2 2-3 3-4 4-5
Walking, walking, walking, walking, Hop, hop, hop! Hop, hop, hop! Running, running, running; running, running, running; Now we stop! Now we stop.
Actions & what it builds ↓
Do: Walk, hop, run and freeze exactly as the words say; repeat with tip-toe, stamping, marching, or animal walks.
Builds: Locomotor skills; tempo change; stopping on cue; movement vocabulary.
⚠ Original words to the public-domain tune of Frere Jacques (a common preschool usage worldwide).
🎵 Ugqaphu / Kgati Skipping Chants
mixed Movement
4-5 5-6
(While two children turn the rope and one skips, the group chants:) Kunye, kubili, kutsatfu, kune, kuhlanu... (or claps and chants the skipper's name:) The-mba! The-mba! Gxuma, Themba!
Counting each successful jump; 'Gxuma' = jump!
Actions & what it builds ↓
Do: Traditional rope-skipping game for Grade R: two turners, one skipper, everyone counts the jumps aloud. Younger children jump over a still 'snake' rope wiggled on the ground.
Builds: Jumping and timing; counting with purpose; cheering for friends; heritage play.
⚠ Ugqaphu/kgati/ntimo is one of South Africa's officially recognised indigenous games. Chants vary by community - collect local versions from families.
🎵 Head, Shoulders, Knees and Toes
English Body parts
1-2 2-3 3-4 4-5 5-6
Head, shoulders, knees and toes, knees and toes; Head, shoulders, knees and toes, knees and toes; And eyes and ears and mouth and nose; Head, shoulders, knees and toes, knees and toes.
Actions & what it builds ↓
Do: Touch each body part as it is named; repeat faster and faster; then hum a body part silently while still touching it.
Builds: Body-part vocabulary; sequencing and memory; tempo; crossing the midline when done with opposite hands.
⚠ Traditional action song, public domain tune and words.
🎵 Ikhanda, Amahlombe
isiZulu Body parts
1-2 2-3 3-4 4-5 5-6
Ikhanda, amahlombe, amadolo, izinzwane, Amadolo, izinzwane; Ikhanda, amahlombe, amadolo, izinzwane, Amehlo, izindlebe, umlomo, ikhala!
Head, shoulders, knees and toes... eyes, ears, mouth and nose!
Actions & what it builds ↓
Do: Same actions as the English version - touch each part as named, speed up on the repeat.
Builds: isiZulu body-part vocabulary embedded in a tune children already know; bilingual transfer.
⚠ isiZulu version of the traditional song as sung in creches across SA. siSwati swap: inhloko, emahlombe, emadvolo, tinzwane / emehlo, tindlebe, umlomo, imphumulo.
🎵 Nhloko, Makatla, Matsolo
Xitsonga Body parts
1-2 2-3 3-4 4-5 5-6
Nhloko, makatla, matsolo, swikunwana, Matsolo, swikunwana; Nhloko, makatla, matsolo, swikunwana, Mahlo, tindleve, nomu, nhompfu!
Head, shoulders, knees and toes... eyes, ears, mouth and nose!
Actions & what it builds ↓
Do: Touch each body part as it is named, same as s26/s27.
Builds: Xitsonga body-part vocabulary; gives Xitsonga-home-language children their language in the daily ring.
⚠ Xitsonga version of the traditional tune. 'Swikunwana' (toes) and other spellings MUST be checked by a Xitsonga speaker - sing phonetically until confirmed.
🎵 Siyaqoqa Manje (Tidy-Up Song)
isiZulu Tidy-up
2-3 3-4 4-5 5-6
Siyaqoqa, siyaqoqa manje, Qoqa manje, qoqa manje; Siyaqoqa, siyaqoqa manje, Amathoyizi endaweni yawo!
We are tidying up now... toys to their place!
Actions & what it builds ↓
Do: Sing on repeat while everyone packs away; the song ends only when the mat is clear - children race the song.
Builds: Signals the tidy-up routine without nagging; responsibility; classification (blocks with blocks, books with books).
⚠ Original words to the public-domain 'Here We Go Round the Mulberry Bush' tune. Check 'amathoyizi endaweni yawo' phrasing with a native speaker.
🎵 Tidy-Up Time
English Tidy-up
2-3 3-4 4-5 5-6
Tidy up, tidy up, everybody's helping; Tidy up, tidy up, put it in its place. Blocks in the box - clap, clap! Books on the shelf - clap, clap! When our room is nice and neat, We sit down on our mat.
Actions & what it builds ↓
Do: Chant with a work rhythm; two claps after each 'job done'; finish seated on the mat with hands in laps.
Builds: Routine transition; sorting and one-place-for-everything; sense of shared responsibility.
⚠ Original chant.
🎵 This Is the Way We Wash Our Hands
English Hand-wash
1-2 2-3 3-4 4-5 5-6
This is the way we wash our hands, Wash our hands, wash our hands; This is the way we wash our hands, Before we eat our food. (More verses: ...scrub between our fingers / ...dry them on the towel)
Actions & what it builds ↓
Do: Sing at the basin/bucket line; actions are the real washing - rub palms, backs, between fingers, dry well.
Builds: Hygiene routine; health habit linked to a song cue; sequencing the steps of proper handwashing.
⚠ Traditional 'Mulberry Bush' tune and formula, public domain. Singing it twice is roughly the 20 seconds of scrubbing health guidelines ask for.
🎵 Geza Izandla
isiZulu Hand-wash
2-3 3-4 4-5 5-6
Geza, geza izandla, Ngensipho, ngamanzi; Phambili, emuva, Phakathi kweminwe - Izandla ezihlanzekile!
Wash, wash your hands with soap and water; front, back, between the fingers - clean hands!
Actions & what it builds ↓
Do: Each line matches a scrubbing action: palms, backs of hands, interlaced fingers; show sparkling hands on the last line.
Builds: isiZulu hygiene vocabulary; correct handwashing technique; routine independence.
⚠ Original. Grammar ('phakathi kweminwe', 'ezihlanzekile') to be checked by a native speaker.
🎵 Siyalandelana (Line-Up Chant)
mixed Line-up
2-3 3-4 4-5 5-6
One behind the other - siyalandelana! Hands by your sides - siyalandelana! Quiet little feet - siyalandelana! Look at our line - siyahamba, let's go!
'Siyalandelana' = we follow one another; 'siyahamba' = we are going.
Actions & what it builds ↓
Do: Chant with a soft clap on 'siyalandelana' while children form the line; start walking only on 'let's go'.
Builds: Orderly transitions; position language (behind, next to); self-control while waiting; bilingual routine cue.
⚠ Original chant mixing English and isiZulu the way local classrooms naturally do.
🎵 Open, Shut Them
English Quiet-down
1-2 2-3 3-4 4-5
Open, shut them, open, shut them, Give a little clap, clap, clap; Open, shut them, open, shut them, Lay them in your lap, lap, lap. Creep them, creep them, slowly creep them Right up to your chin; Open wide your little mouth - But do not let them in!
Actions & what it builds ↓
Do: Open and close fists, clap, fold hands in lap; fingers creep up to the chin, then whisk hands away at the end.
Builds: Settles hands and bodies before story or meal time; fine motor; delightful self-control joke at the end.
⚠ Traditional fingerplay, long in the public domain; ends with hands quietly in laps - use it right before stories.
🎵 Thulani, Thulani (Quiet Echo)
isiZulu Quiet-down
2-3 3-4 4-5 5-6
Teacher (singing softly): Thulani, thulani, bantwana... Children (softer): Thulani, thulani... Teacher (whisper): Thula... thula... Children (whisper): Thula... (finger on lips, hands in laps, silence)
Be quiet, be quiet, children... quiet... quiet...
Actions & what it builds ↓
Do: Echo game: children copy the teacher's voice getting softer and softer until everyone is whispering, then silent with hands in laps.
Builds: Voice-volume control; listening; group self-regulation without shouting over children.
⚠ Original quiet-down device using 'thula/thulani' - the same word children know from the lullaby, so calm is already attached to it.
🎵 Thula Thul', Thula Baba
isiZulu Rest & lullaby
0-1 1-2 2-3 3-4
Thula thul', thula baba, thula sana, Thul' ubab' uzobuya ekuseni. Thula thul', thula baba, thula sana, Thul' ubab' uzobuya ekuseni.
Hush, hush, little one - hush, daddy will come home in the morning.
Actions & what it builds ↓
Do: Rock slowly, pat the child's back on the beat, hum the tune once the words are done; dim the room for sleep time.
Builds: Soothing and secure attachment; the classic South African lullaby children will hear at home too; soft singing voice.
⚠ Traditional Zulu lullaby, public domain folk song (sometimes 'Thula Mama' / 'Tula Sana'). Sing 'mama' instead of 'baba' as needed.
🎵 Abiyoyo
mixed Rest & lullaby
0-1 1-2 2-3 3-4 4-5
Abiyoyo, Abiyoyo, Abiyoyo, Abiyoyo, Abiyoyo, Abiyoyo, Abiyoyo... (softer and softer)
A lullaby of one gentle word.
Actions & what it builds ↓
Do: Rock or sway with babies in arms; older children sway sitting cross-legged; sing slower and softer each round until it fades to humming.
Builds: Because it is one word, every child - siSwati, Xitsonga or isiZulu speaking - can sing it from the first hearing; breath control; calming.
⚠ Traditional Xhosa lullaby, public domain. Noted here as Xhosa, not a local language, but its one-word text crosses all language groups easily.
🎵 Lala, Mntfwana Wami
siSwati Rest & lullaby
0-1 1-2 2-3 3-4
Lala, lala, mntfwana wami, Vala emehlo akho; Lala, lala, mntfwana wami, Make ulapha, lala kahle.
Sleep, sleep, my child, close your eyes; sleep, sleep, my child - mother is here, sleep well.
Actions & what it builds ↓
Do: Slow rocking rhythm at nap time; pat the mattress softly on the beat; repeat as a hum.
Builds: Rest-time cue in the children's own home language; emotional security ('make ulapha' - mother is here); soft dynamics.
⚠ Original lullaby written in traditional style. siSwati orthography ('mntfwana', 'make ulapha') to be checked by a native speaker.
🎵 Etlela, N'wananga
Xitsonga Rest & lullaby
0-1 1-2 2-3 3-4
Etlela, etlela, n'wananga, Dyambu ri perile; Tinyeleti ta vangama, Etlela, n'wananga.
Sleep, sleep, my child - the sun has set; the stars are shining - sleep, my child.
Actions & what it builds ↓
Do: Sway slowly; trace little stars in the air on the third line; end with a long soft 'shhh'.
Builds: Rest-time cue in Xitsonga; nature vocabulary (sun, stars); calm descending melody.
⚠ Original lullaby in traditional style. Xitsonga orthography ('ri perile', 'ta vangama') to be checked by a native speaker.
🎵 Salani Kahle, Bangani
isiZulu Goodbye
1-2 2-3 3-4 4-5 5-6
Salani kahle, bangani bami, Sobonana kusasa! Sidlalile, sifundile - Hambani kahle, bye-bye!
Stay well, my friends, we will see each other tomorrow! We played, we learned - go well, bye-bye!
Actions & what it builds ↓
Do: Wave with both hands; hug a friend on the third line; blow a kiss on 'bye-bye' as children move to the gate.
Builds: Closing ritual that marks the day as finished and predicts tomorrow (secure routine); reflection ('we played, we learned').
⚠ Original goodbye song. Check verb forms ('sidlalile, sifundile') with a native speaker; siSwati groups may sing 'Salani kahle, bangani betfu'.
🎵 Fambani Kahle, Vanghana
Xitsonga Goodbye
1-2 2-3 3-4 4-5 5-6
Fambani kahle, vanghana, Hi ta vonana mundzuku! Fambani kahle, vanghana, Mundzuku - ahee!
Go well, friends - we will see one another tomorrow! Go well, friends - tomorrow, yes!
Actions & what it builds ↓
Do: Big slow waves on each line; both fists up with a happy 'ahee!' on the last word.
Builds: Xitsonga farewell ritual; time concept 'tomorrow' (mundzuku); closure and anticipation.
⚠ Original. Xitsonga orthography ('hi ta vonana mundzuku') to be checked by a native speaker.
🎵 Goodbye, Friends
English Goodbye
1-2 2-3 3-4 4-5 5-6
Goodbye, friends; goodbye, friends; Time to go, time to go; See you in the morning, see you in the morning; Go safely home, go safely home.
Actions & what it builds ↓
Do: Wave goodbye; point to the gate on 'time to go'; hands make a roof over the head on 'safely home'.
Builds: English farewell phrases; predictable end-of-day ritual; safety message.
⚠ Original words to the public-domain tune of Frere Jacques - the same melody family as the greeting songs, closing the day's circle.
🎵 Imvula, Imvula (Chapha, Chapha)
isiZulu Theme songs
1-2 2-3 3-4 4-5 5-6
Imvula, imvula, Chapha, chapha, chapha; Imanzi ingubo yami, Chapha, chapha, chapha. Gqum! Gqum! Liyaduduma! Gqum! Gqum! Liyaduduma!
Rain, rain - splash, splash, splash - my clothes are wet, splash splash splash. Boom! Boom! It's thundering!
Actions & what it builds ↓
Do: Drum fingertips on the floor for rain, getting louder; stamp or drum fists for thunder; shrink small and quiet as the 'storm' passes.
Builds: Sound-play (chapha = rain sound, gqum = thunder); the click 'q' in a joyful context; loud/soft dynamics; weather talk on rainy days.
⚠ Traditional Xhosa/Zulu children's rain song, widely sung in both languages; documented by PRAESA and Mama Lisa's World. Zulu wording shown; Xhosa version has 'ilokhwe yam'.
🎵 Old MacDonald / uBab' uDlamini
mixed Theme songs
1-2 2-3 3-4 4-5 5-6
Old MacDonald had a farm, E-I-E-I-O! And on that farm he had a cow, E-I-E-I-O! With a moo-moo here and a moo-moo there... (Local verse:) uBab' uDlamini unepulazi, E-I-E-I-O! Unezinkomo - muu! Unezimbuzi - me-e! Unezinkukhu - kwek-kwek!
Father Dlamini has a farm - he has cows (moo), goats (meh), chickens (cluck).
Actions & what it builds ↓
Do: Children choose the next animal and everyone makes its sound and movement; point to children to be the animals.
Builds: Animal names and sounds in two languages; verse structure and memory; humour; connects to children's real home animals.
⚠ 'Old MacDonald' is a traditional folk song, public domain. The uBab' uDlamini verse is our original localisation - swap in a surname from your community.
🎵 Twinkle, Twinkle, Little Star
English Theme songs
0-1 1-2 2-3 3-4 4-5 5-6
Twinkle, twinkle, little star, How I wonder what you are! Up above the world so high, Like a diamond in the sky. Twinkle, twinkle, little star, How I wonder what you are!
Actions & what it builds ↓
Do: Open and close star fingers above the head; whisper the second singing for a magical hush - good before rest time.
Builds: Gentle melody for winding down; wonder-talk about the sky; fine motor 'twinkling'.
⚠ Traditional tune (public domain); words by Jane Taylor, 1806, long out of copyright.
Stories to tell
📖 Unanana and the One-Tusked Elephant
Zulu folk tale (recorded by Callaway, 1868; public domain), gently retold
3-4 4-5 5-6
A mother's love and courage; never give up when someone you love needs help.
Read the telling ↓
Kwasukasukela! (Children: Cosu!) Long ago there lived a clever mother called Unanana. She built her little house right in the middle of the road - yes, in the middle of the road! - because she was not afraid of anybody. One day, while Unanana was fetching water, a huge elephant with one tusk came stamping down the road. Dzu! Dzu! Dzu! (Everyone stamp!) He saw Unanana's two children playing in the sun, and - gulp! - he swallowed them whole and walked away. When Unanana came home, the yard was quiet. 'Where are my children?' she cried. She took her cooking pot, her wooden spoon, and a bag of beans, and off she went. She asked Buck: 'Have you seen the elephant with one tusk?' 'Go that way,' said Buck. She asked Leopard: 'Have you seen the elephant with one tusk?' 'Go that way,' said Leopard. (Children point and repeat: 'Go that way!') At last she found him, big as a hill, fast asleep under a marula tree. 'Where are my children?' said Unanana in her bravest voice. The elephant just laughed - and gulp! - he swallowed her too! But inside his tummy, what do you think she found? Her two children, safe and hungry, and even a little dog, all sitting in the dark. Unanana was not afraid. She made a tiny fire, put on her pot, and cooked delicious beans. The smell filled up the elephant's tummy. His tummy rumbled, it grumbled, it bounced up and down! 'Ow! Ow! My tummy!' cried the elephant, and he opened his mouth as wide as a door - and out marched Unanana, her children, and the little dog, singing all the way home. And that elephant never, ever swallowed anybody's children again. Cosu cosu, iyaphela!
Props from junk: A big brown blanket (the elephant's tummy - children can sit under it), a cooking pot and wooden spoon, a bag of dried beans to shake.
Ask the children
  • Before: What would you do if a giant elephant came down your road?
  • During: What do you think Unanana found inside the tummy?
  • During: Why is her tummy-fire making the elephant feel sick?
  • After: Was Unanana brave? What brave thing did she do?
  • After: Who looks for you and keeps you safe like Unanana?
📖 Why Zebra Wears Stripes
San (Bushman) folk tale, southern Africa; gently retold
3-4 4-5 5-6
Sharing what everyone needs; standing up kindly for what is fair.
Read the telling ↓
Long, long ago, when the world was new, Zebra was white all over - white as milk, without one single stripe. It was a dry, hot time, and there was only one waterhole left. But baboon had made his fire next to it and shouted at everyone who came: 'This is MY water! Go away!' (Let the children shake a cross finger: 'My water!') One day young Zebra came walking - clip, clop, clip, clop - to drink. 'Go away!' barked Baboon. 'The water is not yours,' said Zebra. 'Water belongs to everyone - the birds, the buck, the dassies, everyone!' 'Then we shall fight for it!' shouted Baboon. So they pushed and they pulled, they huffed and they puffed (everyone push your hands together - push!), until Zebra gave one mighty kick - and Baboon flew up, up, up and landed on the rocks on his bottom - bump! And that is why, to this very day, Baboon has a bald patch on his bottom. But Zebra was so tired that he staggered backwards - whoops! - right through Baboon's fire. The burnt sticks left long black marks all over his beautiful white coat. Sss! Sss! Sss! (Stripe your arms with a finger - sss!) Zebra looked at himself in the water. Black stripes everywhere! But do you know what? He liked them. And the best part of the story is this: after the fight, Zebra told all the animals, 'Come and drink - the water is for everyone.' And from that day, every animal drinks at the waterhole together, and every zebra wears his stripes proudly to remember the day the water was set free.
Props from junk: A strip of white cloth and strips of black wool or paper to lay on it as the stripes appear; a circle of blue cloth for the waterhole; red/orange paper flames.
Ask the children
  • Before: What colour is a zebra? Have you ever wondered why?
  • During: Is Baboon right to keep all the water for himself? Why not?
  • During: What do you think will happen when Zebra falls through the fire?
  • After: How did Zebra get his stripes in this story?
  • After: What things at our school belong to everyone and must be shared?
📖 The Great Tug of War
African folk tale (told across Bantu-language Africa); retold
3-4 4-5 5-6
Clever thinking beats size; do not tease others for being small.
Read the telling ↓
Garingani wa Garingani! (Children: Garingani!) One morning Mpfundla the Hare sat by the river feeling very small. Elephant had laughed at him: 'You are too little to matter!' Hippo had snorted at him: 'Out of my way, little one!' Little - hmph! Hare had a think, and when Hare thinks, his ears go up... up... up! (Put your 'ears' up!) He twisted grass and creepers into a long, long rope. He took one end to Elephant in the forest. 'O great Elephant, I am stronger than you. Let us have a tug of war!' Elephant laughed like thunder. 'You? Pull against ME? Take the rope, little one!' Then Hare ran with the other end down to Hippo in the river. 'O great Hippo, I am stronger than you. Let us have a tug of war!' Hippo bubbled with laughter. 'You? Pull against ME? Give me the rope!' Then clever Hare stood in the middle, in the bushes where neither could see, and shouted: 'PULL!' Elephant pulled. Hippo pulled. (Everybody grab the rope - pull! Dzu! Dzu!) The rope went this way - the rope went that way - all day long! 'This little hare is STRONG!' puffed Elephant. 'This little hare is MIGHTY!' gasped Hippo. At sunset, both great animals flopped down, worn out. Hare hopped to Elephant: 'Shall we call it a draw?' 'A draw, friend Hare,' wheezed Elephant, 'you are stronger than you look!' Hare hopped to Hippo: 'Shall we call it a draw?' 'A draw, friend Hare,' gurgled Hippo, 'you are stronger than you look!' And from that day, nobody in the bush ever called Hare 'too little' again. Ha khensa - the story is done!
Props from junk: A real soft rope for the children's own tug of war afterwards; a grey blanket for Elephant, a blue cloth for Hippo's river, cardboard hare ears.
Ask the children
  • Before: Who is the strongest animal you know? Is strong the same as clever?
  • During: What is Hare's plan? Who is really pulling on the other end?
  • During: How do you think Elephant feels when he cannot win?
  • After: Was Hare really the strongest? What was he instead?
  • After: When have you solved a problem by thinking instead of pushing?
📖 The Race of Tortoise and Hare
Told all over the world and across Africa (Aesop tradition); retold
2-3 3-4 4-5 5-6
Keep going and don't give up; don't boast or look down on others.
Read the telling ↓
Kwasukasukela! (Cosu!) Hare was the fastest runner in the whole bush, and my, did he know it. 'I am the fastest! Nobody can beat me! Especially not YOU, Fudu the tortoise - you are the slowest thing on four legs!' Fudu blinked her wise old eyes. 'Slow, yes,' she said. 'But I will race you to the big marula tree.' All the animals came to watch. 'Ready... steady... GO!' Hare shot off like the wind - whoosh! (Pat your knees fast, fast, fast!) Fudu started walking. Go... slow... go... slow. (Pat your knees slowly - go... slow...) Soon Hare was so far ahead he could not even see Fudu. 'That tortoise will take all day,' he yawned. 'I have time for a little nap.' He lay down under a shady bush, and soon - honk-shuu, honk-shuu - Hare was fast asleep. (Everyone snore!) But Fudu kept walking. Go... slow... go... slow. Past the rocks. Go... slow. Past the river. Go... slow. Past the sleeping Hare - very, very quietly - shhh! Go... slow... go... slow... The sun was going down when Hare woke with a jump. 'The race!' He ran faster than he had ever run - whoosh! - but when he reached the marula tree, who was sitting there, smiling her slow smile? Fudu! All the animals cheered: 'Fudu! Fudu!' 'How?' panted Hare. 'You are so slow!' 'Slow feet,' said Fudu, 'but I did not stop.' And Hare never boasted about his fast feet again. Cosu cosu, iyaphela!
Props from junk: Two paper-plate masks (hare and tortoise); the children's knees are the drums - fast pats for Hare, slow pats for Fudu.
Ask the children
  • Before: What does it mean to boast? Is it kind?
  • During: Why does Hare think he can sleep in the middle of a race?
  • During: What is Fudu doing while Hare sleeps?
  • After: Fudu was slow. How did she still win?
  • After: What is something hard that you kept trying until you could do it?
📖 How Tortoise Cracked His Shell
African folk tale (told from West to southern Africa); retold
4-5 5-6
Greed and trickery come back to hurt you; share food fairly.
Read the telling ↓
Kwasukasukela! (Cosu!) Long ago, Tortoise's shell was smooth and shiny as a river stone. Now listen how it got its cracks. One year the rains stayed away and everyone on the ground was hungry. But the birds were invited to a great feast up in the sky. Tortoise's tummy rumbled. 'Dear birds,' he said in his sweetest voice, 'lend me one feather each, and take me with you.' The kind birds each gave a feather, and Tortoise stuck them all over himself till he looked like a strange, patchy bird. Up they all flew! (Flap your wings!) At the feast in the sky there were pots and pots of pap and beans and pumpkin and honey. Then tricky Tortoise stood up. 'Friends, at a sky feast, everyone takes a new name. My new name is ALL-OF-YOU.' The birds shrugged and began to sing. When the sky people brought out the food they said, as sky people always say: 'This feast is for ALL OF YOU!' 'That's me!' cried Tortoise, and he ate and he ate and he ate - every pot! - while the hungry birds watched. (Rub your empty tummies!) The birds were so cross that each one took back its feather, one - by - one - by - one. There stood Tortoise in the sky with no feathers at all. 'How will I get down?' he wailed. Down he fell - aaaah! - down, down, down - BOOM! - onto the hard ground. His beautiful smooth shell cracked into pieces. The ants felt sorry for him and glued it together as best they could, but the cracks show to this very day. And whenever Tortoise sees a bird, he shares his food first, and eats second. Cosu cosu, iyaphela!
Props from junk: A real look at a tortoise-shell pattern (picture or carved curio); an egg-box 'shell' cut into pieces for children to puzzle back together; loose feathers.
Ask the children
  • Before: Have you ever seen a tortoise? What does its shell look like?
  • During: Is Tortoise's 'All-of-You' trick fair? Why not?
  • During: What do you think the birds will do now?
  • After: Why is Tortoise's shell cracked today?
  • After: What should Tortoise have done at the feast? What do we do at snack time?
📖 Little Ncede, King of the Birds
Zulu/Xhosa folk tale, southern Africa; retold
4-5 5-6
Small ones can be mighty; talking honestly about clever versus cheating.
Read the telling ↓
Kwasukasukela! (Cosu!) One day all the birds of the bushveld gathered in a big thorn tree. 'We need a king!' they twittered. 'The king shall be the bird who flies the HIGHEST!' Big Fish Eagle spread his great wings and smiled. 'That will be me.' But little Ncede - the tiniest bird of all, small as your thumb (show your thumb!) - had an idea. Quiet as a breath, he crept under Fish Eagle's wing and hid deep in the soft feathers. 'GO!' Up flew the birds! (Flap, flap, flap!) Up went the sparrows - and got tired. Up went the doves - and got tired. Up, up, up went Fish Eagle, higher than the clouds, higher than any bird had ever flown. 'I am the highest!' he called. 'I am king!' And then - a tiny voice above him: 'Not yet, great one!' Out popped Ncede from the feathers, and flew just one hand higher. 'I am the highest! I am king!' Well! Fish Eagle glided down, too tired to argue, and the birds below had seen it all. 'Ncede rode like a tick on an eagle!' they squawked. 'Is that winning? Is that cheating?' They argued and argued (what do YOU think?), and wise old Owl was told to guard Ncede in a snake hole while they decided. But Owl's big eyes grew heavy... they blinked... they closed... and quick little Ncede slipped out - tshiyo! - and flew away, calling 'Ncede! Ncede!' just as he still does today. The birds were so cross with Owl that he was too shy to come out in the daytime ever again - and that is why Owl flies at night. Cosu cosu, iyaphela!
Props from junk: One large brown wing cut from cardboard with a finger-puppet Ncede hidden under it; a 'snake hole' made from a cardboard tube.
Ask the children
  • Before: Which bird do you think should be king? Why?
  • During: What is little Ncede's plan?
  • During: Was it clever or was it cheating - or both? What do you think?
  • After: Why does Owl only come out at night in this story?
  • After: Can small people do big things? Tell me one big thing you can do.
📖 Ngede the Honeyguide and Greedy Gingile
Zulu folk tale (as told on African Storybook); retold
4-5 5-6
Gratitude and sharing; if you take, give back; keep your promises to those who help you.
Read the telling ↓
Kwasukasukela! (Cosu!) In our bushveld lives a little brown bird called Ngede, the honeyguide. Ngede knows where the bees hide their honey, and if you follow his call, he will show you. But there is one rule, an old, old rule: when you take the honey, you must leave a fat piece of honeycomb for Ngede. One day a young man called Gingile heard Ngede calling: 'Chitik-chitik-chitik!' (Children click: chitik-chitik!) 'Honey!' thought Gingile, licking his lips. He followed the little bird - over the donga, through the thorns, chitik-chitik! - until Ngede fluttered by a big old tree. Bees flew in and out of a hole, zzzz, zzzz. (Buzz like the bees!) Gingile made a smoky fire, climbed up, and pulled out the golden dripping honeycomb. Oh, it smelt of flowers and sunshine! And then... Gingile ate it ALL. Every drop. He licked his fingers, packed the rest for home, and left nothing - not one piece - for Ngede. The little bird watched with sad, bright eyes. Weeks later, Gingile heard it again: 'Chitik-chitik-chitik!' 'More honey!' he grinned, and off he ran - over the donga, through the thorns - until Ngede stopped at a great shady tree. Gingile climbed quietly, reached the branch, stretched out his hand and found... not bees. A LEOPARD, having her afternoon nap! 'ROARRR!' (Everyone roar!) Down scrambled Gingile, tumbling through the thorns, and he ran all the way home without his stick, without his hat, without any honey at all. From that day to this, when the honeyguide calls, people follow - and they ALWAYS leave a fat piece of honeycomb, saying 'Thank you, Ngede.' Cosu cosu, iyaphela!
Props from junk: A jar of honey to smell and taste afterwards; yellow bubble-wrap or cardboard 'honeycomb'; a spotted cloth for the leopard.
Ask the children
  • Before: Who has tasted honey? Where does honey come from?
  • During: What is the old rule about the honeyguide?
  • During: Gingile ate everything. What do you think Ngede will do?
  • After: Why did Ngede lead him to the leopard?
  • After: When somebody helps you, what should you do?
📖 Why Hare Has a Split Lip
Southern African folk tale (Khoisan/Nguni moon-and-hare tradition), gently retold
3-4 4-5 5-6
Listen carefully before you act; carrying messages truthfully. (The old origin-of-death frame of this tale is left out for young children.)
Read the telling ↓
Kwasukasukela! (Cosu!) Do you know that Hare has a little split in his lip? Look at any rabbit or hare - right there in the middle. This is how it happened. Long ago the Moon needed a messenger. She looked down and saw Hare, the fastest runner in the veld. 'Hare,' said the Moon in her silver voice, 'take this message to the people: JUST AS I DIE AWAY AND COME BACK EVER SHINING, SO THE DARK NIGHT ALWAYS TURNS TO MORNING. Tell them exactly that, so they need never be afraid of the dark.' 'Easy!' said Hare, and off he shot - so fast that the words bounced around in his head like seeds in a tin. (Shake your head gently - rattle, rattle!) He ran past the aloes, past the rocks, and by the time he reached the people he shouted the message all wrong - backwards and upside down and inside out: 'The Moon says the dark will NEVER turn to morning!' The people began to cry. The Moon saw it all, and she came down, glowing and stern. 'Hare! That is not my message. Because you ran without listening,' - and she tapped him on the mouth with her small silver hoe, tik! - his lip split, just a little, right in the middle. Hare felt very sorry. He hopped slowly back to the people, and this time he said it right, word for word: 'The dark night ALWAYS turns to morning.' And the people smiled and slept peacefully. From that day, Hare wears his split lip to remind everyone: first listen with both long ears - THEN run. Cosu cosu, iyaphela!
Props from junk: A picture of a hare or rabbit showing the split lip; a silver paper moon on a stick; a whisper game afterwards - pass a short message around the circle.
Ask the children
  • Before: Have you ever forgotten a message you were asked to carry?
  • During: Can you say the Moon's message with me?
  • During: What did Hare say wrong? Why did the people cry?
  • After: What does Hare's split lip remind us to do?
  • After: Play the game: can you carry this message to Teacher X without dropping a word?
📖 Jackal and the Big Rock
Khoikhoi trickster tale (recorded by Bleek, 1864; public domain), gently retold
4-5 5-6
Quick thinking in trouble; being wise about tricksters - don't believe everything you're told.
Read the telling ↓
Kwasukasukela! (Cosu!) Jackal is the biggest trickster in the whole veld. One day, Jackal took a shortcut through Lion's place - and there was Lion, waiting. 'Aha!' rumbled Lion, putting one great paw on Jackal's tail. 'Today, little trickster, you are my supper.' Now most animals would have cried. Not Jackal. Jackal looked up - and his eyes went wide as plates. 'O Lion! Great Lion! Look UP!' Above them leaned a huge round rock. 'The rock is falling!' shrieked Jackal. 'It is going to squash us BOTH flat as a sleeping mat!' Lion looked up. The clouds were moving past the top of the rock, and if you stare like that - try it, look up, up, up (all look up!) - it truly seems the rock is toppling over! 'Quick, strong one!' cried Jackal. 'Only YOU are strong enough! Push against the rock and hold it, while I run and fetch a big log to prop it up. Hold it! Don't let go!' Lion sprang up and pushed against the rock with both mighty paws, muscles trembling. 'Hurry, Jackal!' he roared. 'I am hurrying!' called Jackal - and away he trotted over the hill, tippy-toe, tippy-toe, laughing his squeaky laugh, hee-hee-hee, all the way home to his den. Lion pushed and pushed and pushed until the stars came out. At last his paws slipped - he jumped away - and the rock... stood perfectly still. It had never been falling at all. 'JACKAAAAL!' roared Lion, and the roar rolled over the whole veld. And that is why, to this very day, Lion is still chasing Jackal - and Jackal is still one jump ahead. Cosu cosu, iyaphela!
Props from junk: A big grey pillow or paper boulder to 'hold up'; afterwards let children take turns 'holding the rock' while the group counts.
Ask the children
  • Before: What is a trick? Has anyone ever tricked you for a joke?
  • During: Is the rock really falling? How does Jackal make it seem so?
  • During: What would you do if you were Lion?
  • After: How did Jackal get away?
  • After: Jackal's tricks are funny in stories - but is it kind to trick a friend for real?
📖 Hyena and the Two Delicious Smells
African folk tale (widely told); gently retold
3-4 4-5 5-6
Greed loses everything; making a choice and being content with it.
Read the telling ↓
Kwasukasukela! (Cosu!) Hyena was always, always hungry. One evening he trotted along the path sniffing the air - sniff, sniff! (Everyone sniff!) - when suddenly his nose caught something WONDERFUL. Meat and pap cooking at the homestead on the LEFT side of the hill! His mouth watered. He turned left. But then - sniff, sniff! - his nose caught something ELSE. Beans and dumplings cooking at the homestead on the RIGHT side of the hill! His tummy rumbled. He turned right. But the meat! He turned left. But the dumplings! He turned right. (Lean left! Lean right! Left! Right!) 'I know!' said greedy Hyena. 'I shall walk with my LEFT legs on the left path and my RIGHT legs on the right path, and eat at BOTH houses!' So he spread his legs wide... and wider... and W-I-D-E-R... (stretch your legs wide!) as the two paths split around the hill - until, at the top - wobble, wobble - Hyena's legs tangled in a knot and he tumbled over and over, bump-bump-bump, all the way down into the thorn bush at the bottom. Ow! By the time he had picked out all the thorns and limped to the left homestead, the pots were empty. By the time he reached the right homestead, those pots were empty too. Hungry Hyena howled at the moon: 'Owoooo!' (Everyone howl - softly!) And an old owl in the tree said: 'Friend Hyena, if you had chosen ONE path, you would have a full tummy now.' They say hyena walks a bit skew to this very day. So when you cannot choose - choose one, and enjoy it! Cosu cosu, iyaphela!
Props from junk: Two paths of fabric strips laid on the floor around a 'hill' (a chair); two toy pots; children physically try leaning toward both paths.
Ask the children
  • Before: If there were two parties on the same day, could you go to both?
  • During: What is Hyena's plan? Will it work?
  • During: Show me with your legs what is happening to Hyena!
  • After: Why did Hyena end up with no food at all?
  • After: When you must choose - one toy, one game - what helps you choose?
📖 The Animals' Well and Lazy Hare
Bantu folk tale, ancestor of the famous 'tar baby' stories; gently retold
4-5 5-6
Everyone helps with community work (ilima/letsema spirit); those who don't work shouldn't take - and second chances matter.
Read the telling ↓
Kwasukasukela! (Cosu!) One year the rains would not come. The river dried to sand, the pans cracked, and the animals' tongues were dry as old leaves. So Lion called everyone together: 'We shall dig a well - all of us, working together!' 'I'll dig!' said Elephant. 'I'll dig!' said Warthog. 'I'll dig!' said even little Tortoise. But Hare flicked his ears. 'Dig? In this heat? Not me! I'm far too busy.' And off he hopped to lie in the shade. The animals dug and dug - dzu, dzu, dzu! (Everyone dig!) - until - gura-gura-gura! - cool water bubbled up. 'Water for all who dug!' announced Lion. That night, when everyone was asleep, who came creeping to the well? Hare! He drank and drank, he splashed and played, and he muddied the water with his paws. Every morning the animals found paw prints and muddy water. 'Someone is stealing!' So clever Tortoise made a plan. The animals shaped a little figure out of sticky tree gum - sticky as honey, sticky as porridge on your fingers - and stood it by the well. That night Hare came hopping. 'Good evening!' he said to the gum figure. It said nothing. 'I SAID good evening!' Nothing. 'Answer me or I'll tap you!' Tap! - his paw stuck. 'Let go or I'll tap you with the other one!' Tap! - stuck! Push! - stuck! Kick! - STUCK! In the morning the animals found Hare glued tight, looking very small and very sorry. 'I should have helped dig,' he whispered. 'I will work now - I promise.' And because the animals were kinder than he had been, they warmed the gum, set him free, and gave him a job carrying reeds. Hare kept his promise, and ever after, when there is work, Hare's paws are the busiest of all. Cosu cosu, iyaphela!
Props from junk: A 'well' (bucket) of water; a sticky figure made of dough or prestik for children to touch; digging actions with imaginary spades.
Ask the children
  • Before: What happens when there is no rain for a long, long time?
  • During: Everyone is digging. What is Hare doing? Is that fair?
  • During: What do you think the sticky figure will do?
  • After: Why did Hare get stuck? What did he learn?
  • After: When we all tidy the classroom together, why does it feel good?
📖 Gogo's Big Pot of Phutu
Original cumulative tale (written for Bethel Creche)
2-3 3-4 4-5
Ubuntu - when everyone gives a little, there is enough for all.
Read the telling ↓
Garingani wa Garingani! (Children: Garingani!) On Friday, Gogo put her biggest pot on the fire. Dubu-dubu-dubu went the phutu as she stirred. (Everyone stir your pot - dubu, dubu!) The delicious smell climbed out of the pot, over the fence, and down the dusty road... Sniff, sniff! Along came little Sipho. 'Gogo, Gogo, that smells so nice! May I taste?' And Gogo said what she always says: 'There is always room at Gogo's pot! But first - bring one small thing.' So Sipho fetched a stick for the fire. Dubu-dubu-dubu! Sniff, sniff! Along came Hungry Hen. 'Kwek-kwek! May I taste?' 'There is always room at Gogo's pot! But first - bring one small thing.' Hen brought a fresh egg. Dubu-dubu-dubu! Sniff, sniff! Along came Goat. 'Me-e-e! May I taste?' 'There is always room at Gogo's pot! But first - bring one small thing.' Goat brought sweet green spinach leaves. Dubu-dubu! Sniff, sniff! Along came the neighbour, Mama Khoza, with salt. Along came Dog with... a slightly chewed pumpkin. (Eeew - thank you, Dog!) And every single time, the children said it with Gogo: 'THERE IS ALWAYS ROOM AT GOGO'S POT!' Gogo stirred in the egg, the spinach, the salt and the pumpkin - dubu-dubu-DUBU! - and do you know, the more everyone brought, the bigger and tastier that pot of phutu grew! When the sun went down, Sipho, Hen, Goat, Mama Khoza, Dog and Gogo all sat in a circle and ate until their tummies were round as the moon. 'You see,' smiled Gogo, 'when everyone brings a little - everyone eats a lot.' Swi herile - it is finished!
Props from junk: A real pot and wooden spoon; items to add: a stick, an egg (plastic), leaves, a salt box, a small pumpkin; children take turns adding and stirring.
Ask the children
  • Before: What does your gogo or mama cook that smells the best?
  • During: What will Goat bring? What would YOU bring to Gogo's pot?
  • During: Say it with me - what does Gogo always say?
  • After: Why did the pot get bigger and tastier?
  • After: What little thing can each of us bring to help our class?
📖 The Little Red Hen and the Mielies
Traditional folk tale, localised for Mpumalanga
3-4 4-5 5-6
Work before reward; helping hands share the feast - with a forgiving second chance.
Read the telling ↓
One morning Little Red Hen found a fat mielie seed in the yard. 'Kwek! I shall plant it. Who will help me plant the mielie?' 'Not I,' yawned Dog. 'Not I,' bleated Goat. 'Not I,' quacked Duck. 'Then I shall plant it myself,' said Little Red Hen. And she did - dig, dig, plop! (Everyone plant!) The rain came - chapha, chapha! - and the mielie grew tall as a door. 'Kwek! Who will help me pick the mielies?' 'Not I,' yawned Dog. 'Not I,' bleated Goat. 'Not I,' quacked Duck. (Children do the voices - lazy and slow!) 'Then I shall pick them myself.' And she did. 'Who will help me grind the mielies for phutu?' 'Not I.' 'Not I.' 'Not I.' 'Then I shall grind them myself.' Krr, krr, krr! And she did. Soon the smell of hot phutu with butter floated across the yard... and guess who came running? 'We will help you EAT it!' cried Dog and Goat and Duck. Little Red Hen looked at them for a long time. 'You did not plant. You did not pick. You did not grind. My chicks and I will eat it - but,' she said kindly, 'here is one spoon each to taste, so you know what helping tastes like.' Oh, it was DELICIOUS. Dog hung his head. Goat hung her head. Duck hung her head. 'Next time, we will help.' And do you know what? When planting time came again, Dog dug the row, Goat carried water, Duck watched for birds - and when the phutu was cooked, they ALL sat down together and ate until sunset, kwek-kwek-hooray!
Props from junk: A mielie cob (real if possible); a small bag of mielie-meal to feel; puppet or picture animals for the children's chorus of 'Not I!'
Ask the children
  • Before: Who has seen mielies growing? What do we make from them?
  • During: Why won't Dog, Goat and Duck help?
  • During: Should Hen share her phutu with them? What do you think?
  • After: What changed at the end - what did the animals do differently?
  • After: What jobs can we all share when we cook or clean at school?
📖 Thandi and the Rain Bird
Original tale (written for Bethel Creche)
3-4 4-5 5-6
Kindness returns to the giver; respect for water, birds and nature.
Read the telling ↓
Garingani wa Garingani! (Garingani!) It had not rained in Thandi's village for a long, long time. The river was just sand. The pumpkin leaves hung down like tired hands. (Droop like the pumpkin leaves!) Every morning, Thandi carried the family's last water can to the standpipe, and every morning she passed a big brown bird with a head shaped like a hammer, standing sad and still where the river used to be. 'Sawubona, Thekwane,' Thandi greeted him politely, every single day. 'I am sorry your river is gone.' The bird said nothing. But he watched her with one round eye. One burning hot day, the bird looked so thirsty that Thandi did something amazing. She tipped a little of her own precious water - glug, glug - into a hollow stone. 'Drink, Thekwane. We can share.' The bird drank. Then he stretched one wing... stretched the other wing... and began to dance! Step-step, hop! Step-step, hop! (Everyone dance the bird's dance!) He danced in a circle. He bowed to the north, he bowed to the south. And Thandi heard, far, far away... a grumble. Gqum. The sky turned grey as a dove. Gqum! GQUM! And then - chapha! chapha! chapha! - down came the rain! (Drum your fingers on the floor - soft... louder... LOUDER!) It rained into the river, it rained on the pumpkins, it rained on Thandi's laughing face until her braids dripped. The whole village ran outside, catching rain in buckets and singing. And the hammer-head bird? He built his giant nest of sticks by the full brown river, where he lives to this day. Now, people say many things about why the rain came back. But Thandi knows this much is true: kindness, like rain, always comes back to those who pour it out. Swi herile!
Props from junk: A hammer-head bird (thekwane/hamerkop) picture; a water can; a hollow stone or bowl; rain sounds drummed on the floor - link to song s43, Imvula.
Ask the children
  • Before: What happens to plants and rivers when the rain stays away?
  • During: Why does Thandi share her water when there is so little?
  • During: Can you do the rain bird's dance with me?
  • After: What came back to Thandi after her kindness?
  • After: What kind thing could you do for an animal or a friend today?
📖 The Marula Tree That Shared
Original tale (written for Bethel Creche)
2-3 3-4 4-5
Sharing makes things sweeter; take only what you need; care for trees.
Read the telling ↓
In the middle of the veld stood an old, old marula tree, and in summer she hung full of round golden fruit. Every morning the tree would shake her branches gently - shhh-shake, shhh-shake (shake your branches!) - and drop fruit for her visitors, and to each one she whispered the same words: 'One for you, one for a friend.' Plop! Down came fruit for Elephant. 'One for you, one for a friend!' So Elephant ate one and carried one to Tortoise. Plop! Down came fruit for Monkey. 'One for you, one for a friend!' So Monkey ate one and threw one - wheee! - to Bushpig. Plop! Down came fruit for the little dassies, and even they shared with the mice. Then one day a boy called Musa came with a big empty bag. He picked up fruit - one, two, three... ten! - and put every single one in his bag. 'All for ME!' The old tree rustled her leaves and whispered: 'One for you, one for a friend...' But Musa pretended not to hear, and dragged his heavy bag all the way home. And that night - oh dear! His tummy was too full and it ached, his bag had torn a hole, and worst of all, he had eaten every marula alone, with no one to laugh with. It was no fun at all. Next morning Musa came back. He put ten fruits under the tree and called: 'Elephant! Monkey! Dassies! Come and share!' They feasted together under the branches, and it was the best morning of the whole summer. Musa planted one marula pip in the soft ground and patted it flat. 'One day,' he told it, 'you will be a tree that shares too.' And the old marula shook her branches softly: shhh-shake, shhh-shake - which in tree language means thank you.
Props from junk: Real marula fruit in season (or yellow paper balls); a cloth bag; a pip or seed to actually plant with the children afterwards.
Ask the children
  • Before: Who has tasted marula fruit? What animal loves it most?
  • During: What does the tree whisper each time? Say it with me!
  • During: Is Musa listening to the tree? What will happen?
  • After: Why was eating alone no fun for Musa?
  • After: We planted our seed - what will our tree do one day?
📖 The Little Taxi That Counted
Original counting tale (written for Bethel Creche)
1-2 2-3 3-4
Counting 1-4 with fun; everyday local life; making room for others.
Read the telling ↓
Here comes the little taxi down the dusty road - vroom, vroom! (Everyone drive your steering wheel!) Beep-beep! (Beep your hooter!) The taxi stops. Who is waiting? ONE gogo with her big black handbag. 'Is there room?' 'Woza, Gogo! There's room!' In climbs one gogo. Vroom, vroom! Beep-beep! The taxi stops. Who is waiting? TWO children in school uniform. 'Is there room?' 'Woza! There's room!' In climb two children. How many people now? One gogo, two children - one, two, three! Vroom, vroom! Beep-beep! The taxi stops. Who is waiting? THREE mamas from the market with baskets of tomatoes on their heads. 'Is there room?' 'Woza! There's room!' In climb three mamas - carefully, carefully, don't drop the tomatoes! Vroom! Beep-beep! The taxi stops. Who is waiting? FOUR chickens?! 'Kwek-kwek! Is there room?' 'Hhayi bo! ...Oh, all right - woza! There's room!' In flap four flappy chickens. Kwek-kwek-kwek! Now the little taxi is FULL, full, full - people and baskets and chickens from the floor to the roof! Vroom... vroom... slowly, slowly up the hill... (lean back - slowly!) ...and whee! down the other side to the market. The door slides open - shhhk! Out hop the chickens - four! Out climb the mamas - three! Out run the children - two! Out steps Gogo - one! And the little taxi shakes itself - brrrr! - all empty and light, and calls 'Beep-beep! See you tomorrow!' as it drives home into the sunset. Vroom, vroom... vroom... shhh. The little taxi is asleep.
Props from junk: Chairs in rows as the taxi; a paper-plate steering wheel; toy chickens/dolls as passengers that children load and count in and out.
Ask the children
  • Before: Who came to school in a taxi today? What sound does it make?
  • During: How many people are inside now? Let's count!
  • During: Chickens in a taxi! What else funny could climb in?
  • After: Who got out first at the market? How many chickens were there?
  • After: Shall we build our own taxi with the chairs and count everyone in?
📖 Ngqo, Ngqo, Ngqo! Who Is at the Door?
Original participation tale for the littlest ones (written for Bethel Creche)
0-1 1-2 2-3
Animal names and sounds; anticipation; winding down to rest - a story that ends in sleep.
Read the telling ↓
It is nearly nap time on the soft mat. But listen... Ngqo, ngqo, ngqo! (Knock on the floor - ngqo, ngqo!) Someone is knocking at our door! Who is it? Open the door... creeeeak... It is COW! 'Muuu! Muuu! I am sleepy,' says Cow. 'Come in, Cow. Lie down on the mat.' Cow lies down. Shhh. Ngqo, ngqo, ngqo! Someone is knocking! Who is it? Open the door... creeeeak... It is GOAT! 'Me-e-e! Me-e-e! I am sleepy,' says Goat. 'Come in, Goat. Lie down next to Cow.' Goat lies down. Shhh. Ngqo, ngqo, ngqo! Who is it this time? Open the door... creeeeak... It is HEN! 'Kwek-kwek-kwek! I am sleepy,' says Hen. 'Come in, Hen. Lie down next to Goat.' Hen tucks her head under her wing. Shhh. Ngqo, ngqo, ngqo! Someone is knocking very, very softly! Who is it? Open the door... creeeeak... It is CAT! 'Meow... meow... I am sleepy,' says Cat, and she curls up in a little round ball, purring - prrr, prrr. (Purr softly - prrr...) Shhh. Ngqo, ngqo, ngqo! One more knock! Who is it? Open the door... creeeeak... It is little DOG! 'Hau! Hau! I am sleepy,' says Dog - and he turns around three times, round and round and round, and flops down with his nose on his paws. Shhh. Now the mat is full: Cow - muuu... Goat - me-e... Hen - kwek... Cat - prrr... Dog - hau... (each sound softer and slower). Everyone is yawning. Everyone is closing their eyes. No more knocking. The door is closed. The room is quiet. Thula... thula... shhh. Sleep well, Cow. Sleep well, Goat. Sleep well, Hen. Sleep well, Cat. Sleep well, Dog. Sleep well... everyone.
Props from junk: A piece of cardboard as the 'door' to knock on; soft toy or sock-puppet animals that lie down one by one on a small blanket; works as the bridge into real nap time.
Ask the children
  • During: Ngqo, ngqo - who do you think is knocking now?
  • During: What sound does Goat make? Show me a sleepy goat!
  • During: Can you knock softly like the story - ngqo, ngqo, ngqo?
  • After (older toddlers): Who came in first? Who flopped down last?
  • After: Now it's OUR nap time - who can lie down as quietly as Hen?
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